Prunus sargentii leaf

Today, I chose a leaf from a tree in my front yard. Figure 1 shows a leaf of Prunus sargentii, a Japanese Sakura tree. When this tree blooms (usually in April) the lush flowers last for only a few days, but are prized in Japanese culture as a symbol of the fleeting and transient nature of life.

Prunus sargentii leafPrunus sargentii leaf

Figure 1. Prunus sargentii leaf. Upper side of leaf is on left.

The leaves are ovate with a doubly-serrate margin and a left handed twist. The base is slightly asymmetrical. The venation is mostly alternate, but not entirely regular. Each vein curves at the end and connects with the next vein.

The stem is short and has a reddish pigment. There are two reddish glands on the stem the first about a millimeter behind the leaf and the second another millimeter behind the first.

There's no evidence of herbivory or damage to the leaf. I did observe some leaves that had parts missing, usually along the margins. Given the placement of the branches (above a driveway and a path used by people) its possible the leaves were damaged mechanically be people moving past the branches. I did observe a leaf hopper (Homoptera) on one leaf and some silk (spider? caterpillar?) on another.

Ulmus americana leaf

Since I started my leaf blog, I'm having a harder and harder time choosing a tree and leaf to look at—not because I'm running out of choices, but rather the opposite: there are so many tantalizing choices, its difficult to pick the next one. This time, I choose an American Elm (Ulmus americana) right behind the Morrill Science Center (Fig. 1).

Ulmus leafUlmus leaf

Figure 1. Ulmus americana leaf. Upper side is on left.

The Elm has ovate leaves with a double, or triple, serrate margin and asymmetrical base. The leaf has pinnate venation and there are approximately 13 side veins on each side of the leaf. About half of the side veins have branches near the margin of the leaf. The leaf has a very fine downy fuzz on both the upper and lower surfaces. The stem is quite short relative to the leaf.

Once again, I'm wondering a bit about the distance between the side veins and the sizes of the smallest areas of the leaf served by the venation system. The side veins seem close together, relative to other leaves I've looked at recently.

On the surface of the leaves are irregularly shaped galls with a pebbled surface. The galls have a yellowish color, although some have become black. On the underside of the leaf, there are gray fuzzy areas that correspond to the gall on the upper surface. There are a number of areas where the leaf surface is rough on the surface and fuzzy underneath, but where there is not an obvious gall: perhaps there are two phenomena.

Acer platanoides leaf

Today, I collected a leaf from a distinctive purple tree near the Franklin Dining Commons. The Norway maple (Acer platanoides) is a common ornamental tree that is often planted in cities because it is hardier and more tolerant of air pollution than native Sugar maples. It has two color varieties: the purple pigmented one and an unpigmented variety that's easy to confuse with Sugar maples. If you're trying to tell them apart, the bark is different on a Norway maple (a criss-cross diamond pattern) and Norway maples have a milky white sap.

Acer platanoides leafAcer platanoides leaf

Figure 1. Acer platanoides leaf. Upper side of leaf is on left.

The leaf is very dark green—almost black, in artificial light. The veins and stem are a reddish purple, especially on the underside of the leaf.

The leaf is palmately lobed with two small lobes near the base and 5 major lobes toward the tip. I had noticed yesterday that the stem of the Horse-chestnut seemed comparatively long, but this stem is much longer relative to the leaf. The stem is half-again longer than the leaf. I noticed, however, that there was a lot of variability in stem length.

The leaf has 11 holes where presumably insects have been consuming leaf material. Most holes run along a vein. One hole spans a vein in the leaf leaving just a narrow bridge across the hole. A number of holes have a kidney shaped pattern with smooth outward borders and a ragged inner border, perhaps related to the pattern of consuming the leaf.

On the underside of the leaf is a small, white cocoon. The area is covered over with a dense layer of white silk.The silk pulls the leaf together to make a small, bent section, where the pupa is concealed.

Aesculus leaf

I actually collected this leaf (Figure 1) yesterday while I was carrying the Coffee Tree leaf back. The Horse-chestnut one of my favorite trees in the spring when it flowers. People say the flowers look like candles and, on a dark, rainy day, the tree does seem to light up when the flowers are in bloom.

Aesculus leafAesculus leaf

Figure 1. Aesculus leaf. Upper side is on left.

The leaf is palmately compound with 7 leaflets. The leaves are ovate with irregularly toothed margins. The venation is not opposite, but nearly so. The stem seems extremely long, relative to the leaf.

The leaf has several patches of what appears to be a fungus. In each area is a brownish red region surrounded by a brownish region. The regions cross side veins, but rarely cross the mid-vein. There is some brownish material on the underside of the leaf where leaflets come together.

Poem Window Prototype

I decided it was a Really Good Idea, having proposed to make infrastructure for the the Poem Windows, to try out the system to make sure it would actually work like I expected. I bought a Geeekpi 7" 1024x600 display with Acrylic Stand and assembled it.

It arrived without instructions of any kind. There were 5 acrylic pieces, a PCB, an LCD, and a bunch of little nuts and screws and other things. I went to the Amazon page, where there were several pictures that were actually sufficient for most of the assembly. I discovered the hard way that you needed to get all the cables connected before trying to assemble the stand, but I had only been hooking pieces together very loosely, so it was not much work to disassemble and then reassemble the stand after everything was hooked up. The only really frustrating part was trying to attach the ribbon-cable video connector, which was not described anywhere nor clearly visible in the video.

Eventually I got it assembled and was genuinely amazed when I hooked everything together, powered it up, and it lit right up. And then turned off. I checked the connections a couple more times and then logged into the pi via ssh and un-commented the safe_hdmi directive to see if that would make it work. And it did! So from that point on, it was just a matter of getting the HDMI configuration right. Eventually, I found that there was a page with configuration information. The magic recipe (from that page) was
hdmi_group=2
hdmi_mode=87
hdmi_cvt 1024 600 60 3 0 0 0
hdmi_force_hotplug=1

Poem Window Prototype

Voila! One Poem Window prototype, suitable for testing and display.

Machine Translation

The next Kobayashi-san Chi no Maid Dragon BD, Special 4, is out:

It isn't in English yet, but you can get it auto-subtitled in Japanese (turn on CC) and then you can have those translated into English (under the gear-shaped settings icon). But the result is so dadaesque, I'm compelled to question whether it's actually even drawing from the correct source material.

During the intro: "Cities and provinces of the announcement 667 the environment In addition That's 24 people the elderly, et al. The date of manufacture i.org solid"

When Tohru guns down Emma in the back, she says "Two of people in advance rice to each computer".

When Kobayashi-san is looking at at a computer game screen "For example, it has been found in liaison ipod dealer has entered".

In another spot "Comments and was confirmed inform in such growing more anxiety."

But, please! Tell me again how machine translation is going to solve the world language problem.

Gymnocladus leaf

The trees on the UMass Amherst campus are named the Frank A Waugh Arboretum and the link leads to an ArcGIS application that shows the location and identification of every tree (as of 2014). This is a great resource for being able to identify species, especially the ones that are not native to the region, like the Kentucky Coffee Tree.

Gymnocladus leafGymnocladus leaf

Figure 1. Gymnocladus leaf. Upper side of leaf is on left.

The main characteristic I use to recognize a coffee tree is that the leaflets are rotated away from the plane of the leaf itself. Most compound leaves appear oriented in a single plane.

This leaf is bi-pinnately compound. The first two branches are single leaflets, then two with ~8 leaflets, then branches with more (11 and 13). The branches are not evenly distributed: some are almost opposite, the last two are opposite. The leaflets, however are alternate.

The leaf appears almost pristine. There are several small areas of damage, the look to be mechanical damage of the leaf. There doesn't appear to be any evidence of phytophagy.

The stem has a waxy coating that wiped off when I carried the stem by the end.

Quercus Leaf

On Sunday, I collected an oak leaf. This is from a small oak tree in my yard, probably a red or black oak.

Quercus leafQuercus Leaf

Figure 1. Quercus leaf. Upper side of leaf is on left.

The leaves were rather diverse. Some were highly dissected, others broad and regular. Many of the leaves had big chunks eaten away. In some, the veins were left behind along with frass or detritus from whatever had consumed them. I remember one time at night, I saw small June beetles eating oak leaves, so I've always imagined that damage to oak leaves is caused by June beetles. It would be interesting to go back at night sometime and try to observe what causes the damage. I didn't see anything on the tree during the daytime (like a caterpillar) that looked like it might be causing the damage.

I migrated the Betula leaf blog entry to here from the class blog in Blackboard. I've posted this one here first to see whether it's easier to migrate one way or the other. Because Blackboard sucks.

Betula Leaf

To get ready for the class, I've decided to start collecting leaves and post blog entries about what I find. Figure 1 shows a Betula leaf. This leaf was collected from a small tree that was recently planted near the Morrill Science Center at UMass Amherst. I included a paper ruler in my photograph for scale. I was interested in the leaf because it has small holes in the middle.

Note: these posts are not intended to be any particular model for writing for your blog posts: like your blog posts, these are just rough bits of text I'm using to document my own investigation of leaf size.

Betula leafBetula leaf

Figure 1. Betula leaf. Upper side of leaf is on left.

The leaf is approximately 8cm in length and 3.5cm in width. The stem is 1.5cm. The leaf is heart shaped, with a serrated edge. The teeth seem to be of two sizes: some are 2mm and others only 1mm in length. The leaf is asymmetrical with alternating venation. There are approximately 8 major veins on each side of the leaf.

The upper surface is dark green. The under surface, the veins, and stem are a lighter green. The stem is browish toward the end. The tips of the teeth are a pale, almost yellow green. There is a white spot at the lower, left side of the upper surface of the leaf.

The leaf has four holes. Each hole has brown leaf matter around the edge, suggesting that the hole generated by damage to the leaf. The holes tend to be along the edges of veins. there is also some damage along the edge of the leaf, a tooth that is partly torn off and at the very tip of the leaf.

Poem Windows

With all my "free time" this summer, I decided to write and shop around a proposal for a Makers at Amherst Media project to refresh the infrastructure of the Poem Windows in Amherst. I've been working with Rene Theberge and the the Amherst Public Art Commission to craft a plan and find the necessary funding.

Poem Windows

Created in 2002 by a Japanese artist, the project was abandoned after the original technology failed. Evidently, it never worked particularly well, especially in cold weather and, after a few years, quit altogether. But it was an idea that resonated with me.

Poem Windows Dedication

A few years later, Amherst Coming Together tried a second attempt that used iPads, but it was not a good technology decision and mostly seemed to display error messages about installing updates.

Poem Window

I propose to replace the equipment using inexpensive Raspberry Pi computers and small displays that simply show a URL in a full-screen browser window. This is all the system actually does: When the computer starts, it consults a file on the network that determines which URL to show: the page displayed at the URL is responsible for showing the necessary content. The browser also uses a plugin that will retry periodically in case there is a transient problem with network connectivity. In addition, the system checks the operating system for integrity and pushes updates out to the computer every morning, which is important for security. This design is based on the system for providing Inexpensive Digital Signage that I developed for the College of Natural Science at UMass. We support around a dozen signs and also use a variant of the same system (combined with a script mostly developed by BMB) to monitor -80 freezers. It should work fine in this context.

I also had an idea that might provide some level of on-going support for the poem windows installation: invite organizations, businesses, and individuals to purchase their own "poem window" the price of which could be set sufficiently high to subsidize the permanent installation. It would basically use the same components, plus a low-cost acrylic frame, to enable it to sit on a counter or table. If there were more poem windows where people could see them, it could also increase the incentive for people to contribute poetry and images for the displays. It could also help keep the Makers busy, if they agreed to take up the support effort.

The proposal does not address how to collect and present the content for the new displays. That will need to be a separate effort that will technically require a website with a page to accept submissions and a presentation page that, when run full-screen, will be the display that is viewed by the poetry windows. But it will also require a committee of people to establish criteria for submissions, run a campaign to solicit submissions, and a process for judging submissions and approving some for display. I hope to also have time to contribute to and help shape that effort. But one step at a time.

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